2014年7月10日 星期四

從台北建城到北城門外的雙子星計畫

為甚麼1870年代的人,要在淡水河岸商業區以東的一片田地中,蓋一座城?

舊日的台北城,北門位在西北角。北門外的地當年用來蓋路上運輸的大動脈鐵路核心區,或許當年不是獲得很理想的結果,但是一個半世紀之後,卻是下面這個場景。

"台北雙子星大樓是位於台北市的台北車站特定專用區內的雙棟摩天大樓,雙棟大樓造價達新臺幣700至800億元,為台灣史上金額最高的聯合開發案。
由一棟地上76層(320.7公尺;代號D1)與另一棟56層(241.5公尺;代號C1)、地下皆為4層的大樓組成,中間以空中平臺相互連通。
其地上二樓到地下四樓之樓層由台北市政府捷運工程局興建,地下三層樓為桃園機場捷運台北車站,並與位於台北車站的台鐵高鐵台北捷運紅線台北捷運藍線台北捷運綠線北門站連通。"

滄海桑田 ,這就是都市的演化。

 感謝邱教授提供這篇文章。探討本區文化與傳統設計理念。



Designing ‘Culture and Heritage’ into the C1D1 District of Taipei City

Lihrong Chiou1, Kung-Ling Chang1, Yu-Chi He1, and Richard H. Lee2

1 National Taiwan University of Arts, {Director of Planning Division, Extension Education Center; Assistant Professor of Crafts & Design Department; Graduate of Crafts & Design De-partment}, Taipei, Taiwan

{lihrong, kling}@ntua.edu.tw, he.chi415@gmail.com

2 C. Y. LEE & PARTNERS Architects / Planners, Taipei, Taiwan

richardlee@mail.cylee.com



Abstract. This paper focuses on the development of C1D1 District of Taipei City, emphasizing its cultural perspective and oriental spirit. 

With the concept of the creative city, this study explores the cultural and industrial heritage of the Western District. 

To lead the C1D1 District to turn into a new core of Taipei City designated as the World Design Capital 2016, the concepts of Oriental Cloud Platform, City’s Living Room, 3D Catalog, and Cultural and Industrial Link are proposed as development guidelines.



Keywords: Culture and Heritage, Oriental Spirit, Creative City, Cultural Link.
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 ---------------------

2.1           Heritage and Memories from a City



 ‘heritage’ contains many complex implications.

 ---old days----the aspect of the preservation of monuments and historical buildings. -----------

"In the cultural arena, heritage is used in describing material forms such as monuments, historical or architectural remains and objects on display in museums; or immaterial forms such a philosophy, traditions and art in their manifestations, the celebration of great events or personalities in history, distinct ways of life, and education as expressed through liter-ature and folklore (Herbert, 1989: 10-11, Nuryanti, 1996: 251, Zepple and Hall, 1992). "-----------------------

"Heritage" is a mode of cultural production in the present that has resource to the past, as well as a specific way interpreting and utilizing bygone times that link indi-viduals to a larger collective (Kirshenblatt-Gimblett, 1998: 7). -----------------

In this sense heritage is 
 what we select in the present for contemporary purposes and it helps define the mean-ings of culture.--------------
 


Through heritage of a place, people’s memories are aroused and mediated presen-tations that utilize a variety of media including tangible or intangible cultural forms. ---------------------

As peoples’ memories are organized around objects and particular spaces, through the process of perceiving and remembering, people perceive the world they live in, shape their comprehension and knowledge about the world and transfer to the following generations. ------------------

The collective memory theory by Halbwachs (1992) provides insight into how people create expressions of collective meanings when encounter with particular objects through common experiences. ----------------------

As collective memories plays as the basis for all memories, people’s reconstruction of the past must launch from the shared content of collective memory (Crane, 2006: 104). --------------

These notions illustrate the close interrela-tions between heritage, collective meanings and memories of a city. ----------------------

Therefore before carrying out the development project for the C1D1 District, it is crucial to explore the heritage and culture of the Western District in order to develop creative guidelines for the project.-------------------------









Conclusion



Creative design with culture and heritage has proven to be fundamental approach to reach the goal of rendering cities more livable, aesthetic, attractive, and competi-tive.

 Characterized local culture and rich historical heritage have been regarded as the first priority and main consideration for city innovation. 

These notions reflect the close interrelations between heritage, collective meanings and memories of a city. 

The main challenge of the development of the C1D1 District of Taipei City thus lies in how to reconnect the existing cultural and industrial heritages with the new creation via integrating urban space, place characteristics, cultural atmosphere and industrial potential. 

To respond to challenge successfully, it is crucial to re-explore the heritage and culture of the Western District with contemporary perspectives.

 The ‘Oriental Spirit’ is inspired from the re-examining and re-thinking the contemporary implica-tions of the heritage of the Western District. 

Based on this core theme, the concept of Oriental Cloud Platform, City’s Living Room, 3D Catalog, and Cultural Link and Industrial Link are proposed. 

These unique and innovative concepts provide guide-lines for the D1D1 District to develop into a new core of the Taipei City


 ------------------------------------------------------------------------
以上摘錄部分。

把這個觀念與架構,引用到台北城的東北角,那麼範圍就更廣泛 廣大了。

 這才是開始需要集結眾人之智以引導此案朝向有利全民與長遠世代的起點。
 「C1D1案發展規劃構想」 未來若C1D1可以朝向融入文化遺產的理念發展,兩者應整合構思規劃與發展。
 
 C1D1概念 分析該土地位於台北西區北門附近,雖具有區位上歷史性的特色,本身並無較深刻的歷史脈絡與內涵,因此才會以與周邊文化遺址的「文化鏈結」、及與傳統產業的「產業鏈結」來形塑它的角色
 反之台北考棚此基地則深具歷史內涵與價值,
基於此,希望它未來的發展能恰如其分的展現
 此價值。


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